Reviews > Movies
Mission Impossible
Norman Mailer’s The Castle in the Forest was a novel about Hitler narrated by a demon, who writes: “Most well-educated people are ready to bridle at the notion of such an entity as the Devil…There need be no surprise, then, that the world has an impoverished understanding of Adolf Hitler’s personality.” I was… READ MORE >
Reviews > Movies
The Ugly Truth
When Caden Cotard wakes up, the first thing he does is look in a mirror. He sees a pudgy, middle-aged, balding, sad-sack of a human being. The rest of the movie will be like that: a merciless self-examination. Neil Gaiman, sci-fi and fantasy author, described most current literary fiction as “miserable people having small epiphanies of misery.”… READ MORE >
Reviews > Movies
Blood Lust
Twilight begs the question, why do girls always go for vampires? Is it the Byronic good looks? Or perhaps because they’re given to lines like, “You don’t know how long I’ve waited for you,” and “You’re my own personal brand of heroin.” Bella, a junior in high school recently relocated from Arizona… READ MORE >
Reviews > Movies
Guy Movie
Who or what is a RocknRolla? Someone born to be in a Guy Ritchie flick, that’s who. An amoral member of the criminal class doing bad things in stylish threads and an expensive pair of shades, spouting tough-lout talk like a Cockney at a Tarantino casting call. Ritchie’s first and best movies were Lock, Stock, and Two Smoking Barrels… READ MORE >
Reviews > Movies
Don’t Call Me Junior
No one could accuse Oliver Stone of ducking controversy. But I don’t think anyone expected his new movie about the George Bush presidency, W., to be predictable and toothless, if intermittently amusing. In the era of the internet and insider confessionals, most of what appears on screen has already been widely circulated. What, Bush… READ MORE >
Reviews > Movies
Conservulous
A movie mocking Hollywood liberals is overdue, but a movie mocking Michael Moore is outdated. David Zucker, director of zany comedies like Airplane and Naked Gun, sets his satirical sights on a ripe target: the self-satisfaction of bleeding-heart Hollywood liberals (the kind who decry world poverty while collecting multi-million dollar paychecks).… READ MORE >
Reviews > Movies
Funny as Hell
There’s a segment of the Tonight Show called “Jaywalking,” where Jay Leno asks regular Joes (“Joe Sixpacks”?) simple questions about history, politics, geography, etc. Considering the answers he gets, you’d think Burbank a social experiment gone wrong. Bill Maher, host of Politically Incorrect, adopts the… READ MORE >
Reviews > Movies
God is Godard
Reprise is a movie about young Norwegian writers that feels made by young French filmmakers: stylish, self-conscious, angsty, funny, a little sloppy, and unapologetically pretentious. Erik and Philip are two aspiring writers and lifelong friends who simultaneously slide their manuscripts (as precious to them as bundled babies) into a mail… READ MORE >
Opinion > Movies
Waugh’s Unlikely Champions
In the New York Review of Books, Daniel Mendelsohn demonstrates a supple understanding of Evelyn Waugh’s Brideshead Revisited—its themes and ambitions. Many have criticized the latest film version of the classic Catholic novel for playing fast-and-loose with the source material, but Mendelsohn is one of the few critics to analyze with… READ MORE >
Reviews > Movies
League of Morons
After doing the damn near impossible—making last year's damn near perfect No Country For Old Men—who could blame the Coen brothers for blowing off a little steam? Burn After Reading returns to the anarchic comedy of Raising Arizona and The Big Lebowski, but with diminished returns. Like the suitcase full of cash in No Country,… READ MORE >
Reviews > Movies
Brideshead Revised
Nearly every review of the new film adaptation of Brideshead Revisited has referenced the landmark 1981 miniseries produced for British television starring Jeremy Irons, John Gielgud, Claire Bloom, and Laurence Olivier. With good reason: the 11-hour adaptation of Evelyn Waugh’s novel is an obvious entry into the canon of Modern Classics,… READ MORE >
Reviews > Movies
For This Documentary Tells Me So
The idea that documentaries are unbiased truth is well-established nonsense, of course, but some filmmakers are better at covering their ideological tracks than others (the good ones are, anyway). For the Bible Tells Me So tackles a tough, timely topic: the antagonism between Christian fundamentalists and practicing homosexuals. This complex… READ MORE >
Opinion > Movies
Alfred Hitchcock: Mistaken Identities
The Times Literary Supplement just ran two reviews of recent books about Alfred Hitchcock, the iconic filmmaker whose morbid Catholicism bled into the edges of such classics as Vertigo, I Confess, and Shadow of a Doubt. His movies—popular entertainments in their own time, snubbed by critics and award-givers—have since become the subject… READ MORE >
Reviews > Movies
Gonzo Suicide
Gonzo should have been subtitled “The Life and Work and Death of Hunter S. Thompson,” because the writer’s suicide three years ago was the flare-out of a fading star, a premeditated decision that shrouded his last moments in existential uncertainty. Did the Lion in Winter flip a final bird to established conventions, rebel… READ MORE >
Reviews > Movies
Rated G for Glorious
“…In the Jungle of Nool something foreign lands on a piece of clover. It's not a spaceship but an entire alien world: the nearly infinitesimal planet of Who-ville. Horton the elephant, his large ears giving him the most acute hearing, detects cries from the clover speck. He can't see the little Whos, but he deduces, believes, knows that sentient creatures are in there; and his caring instinct tells him that they must be protected. He builds a rapport with the tiny planet's resident scientist, Dr. Hoovey, who is having just as much trouble convincing his villagers that there's a giant outside force, unseen but benevolent, that will determine their future." READ MORE >
News > Movies
Apocalypse Now?
"On a recent Saturday night, I went to the movies. Walking past the theater showing 'I Am Legend' (plague kills most of humanity), I opted to watch 'Cloverfield' (inexplicably angry alien destroys Manhattan) instead. After sitting through back-to-back previews for 'Hellboy II: The Golden Army' (ancient truce between Hell and Earth is revoked, resulting in mass destruction) and 'Doomsday' (lethal virus ravages England, a disease-ridden cinematic cousin to '28 Days Later' and 'Children of Men'), I found myself disturbed. The End of Days suddenly seemed imminent. Should I cancel my post-movie dinner reservation? What's with all this apocalyptic entertainment, I wondered, and what does it say about those of us who are filling the theater seats?"
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Reviews > Movies
Board Game: Gus Van Sant’s latest experiment works
“The book is linear and psychological and even invokes Dostoyevsky—Notes From the Underground… and, by implication, Crime and Punishment. Van Sant dumps Dostoyevsky and ruptures the story line; his narrator, Alex, apologizes for screwing up the order of events… Alienation, guilt—it’s all free-floating, as if Camus had reworked Poe’s ‘The Tell-Tale Heart.”’ READ MORE >
Reviews > Movies
Penn’s ‘Into the Wild’ Is Beautiful, Stirring, Complex
"…too-muchness is the essence of the story—a hero's gallant, possibly mad and inevitably doomed attempt to channel too much experience and too many ideas through one young life that can't possibly hold it all… Moviegoers will argue the question of whether the young man's quest succeeds or fails: Is he a pilgrim who finds the transcendence he sought, or a wounded bird flying blind on lofty ambitions, or both? There's no arguing, however, that ‘Into the Wild’ is a new experience, even though some of its countercultural themes and tropes may seem familiar. It's a mainstream movie of ideas that lives in a world of fateful action.” READ MORE >
Reviews > Movies
California Burning
“A strange and enthralling evocation of frontier capitalism and manifest destiny set at the dawn of the 20th century… There's hardly a dull moment. Digs collapse, gushers burst into flame, God metes out punishment and so does man. Revelations overturn the narrative: The last 20 minutes are as shocking in their way as the plague that rains from the sky in Magnolia's finale. By the time the closing words "There Will Be Blood" appear (with a burst of Brahms) inscribed in heavy gothic letters on the screen, Anderson's movie has come to seem an Old Testament story of cosmic comeuppance and filicidal madness—American history glimpsed through the smoke and fire that the lightning left behind.” READ MORE >
Reviews > Movies
Another ‘Pro-Life” Movie?
"...after the movie ended I wondered what all the fuss was about... I wonder how much of the adulation of reviewers (and the judges at Cannes) stemmed from what they may have perceived as the 'message' of the movie: i.e., illegal abortions are bad, so legal ones must be good. For me, the movie was a litany of the horrors of any abortion, and as much a 'pro-life' movie as 'Juno,' which I had seen the day before. How can observing a lifeless fetus make one anything but pro-life?" READ MORE >
Opinion > Movies
Good Movies, Bad Religion
In the past week I had the privilege of seeing two amazing films: There Will Be Blood (bit on the long side) and the uncut version of Ingmar Bergman’s Fanny and Alexander (a whopping five-plus hours that fly by). Interestingly, coincidentally, both stories are set about a 100 years ago and both feature a very dark religious figure—a money-hungry… READ MORE >
News > Movies
Movie Violence Might Temper the Real Thing
"“The study’s premise strikes me as somewhat goofy,' said Melissa Henson, senior director of programs at the Parents Television Council, a media watchdog... 'I’d hate for people to walk away with the message that, ‘Oh, I ought to send my son to watch violent movies so they won’t go out and drink or do drugs and commit violent crime...’" READ MORE >
Reviews > Movies
A Chronicler of Alienated Europeans in a Flimsy New World
“Mr. Antonioni’s fashionableness shouldn’t distract us from his accomplishment. He was a visionary whose portrayal of the failure of Eros in a hypereroticized climate addressed the modern world and its discontents in a new, intensely poetic cinematic language. Here was depicted for the first time on screen a world in which attention… READ MORE >
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